Honourary Canadian–How this Blog Got its Name

Growing up in Cleveland, Ohio, a denizen of the Great Lakes region, I developed an affinity for Canada from my youth. My interest in the nation to the north was partly a function of proximity–from northeast Ohio, crossing Lake Erie to southern Ontario as a bird flies is only about a 40-mile span at its narrowest point. Aside from the geographical links I also found many cultural affinities I shared with the country. Already a radio listener, as a young teenager I regularly tuned my transistor to CKLW from Windsor, Ontario, a hit-making powerhouse just across the border from Detroit. After dark, its 50,000 watts wafted across Lake Erie to me as I lay in bed listening through a single earphone to the latest songs and the DJs’ patter. Meanwhile, to the east and north, Toronto was never more than a 4-hour drive away for Turner family vacations.

The summer before my thirteenth birthday I was studying Hebrew and preparing for my Bar Mitzvah that coming September. Taking note of the hard work I was putting in, my parents offered to take a summer road trip to a destination of my choice. It would be just the three of us, with my brother and sister staying with grandparents in Toledo. I told my mom Sylvia and dad Earl that I wanted to visit Montreal for Expo ’67, where the World’s Fair was being held that summer. It was only a two-day drive from home. In upstate New York, we toured Fort Ticonderoga, erected in 1755, a key point in the struggle between the British and French for control of the continent, and the  then made an overnight stop in Burlington, Vermont. Once we reached Montreal, I marveled at the many geodesic domes dotting the cityscape, with Buckminster Fuller’s innovative designs making a big splash at the Expo. I enjoyed listening to the spoken French we heard in our motel, and the fact the urban scene clearly resembled other North American cities, yet was so different from Cleveland, the place I knew best.  A few summers later, before I turned seventeen, my brother Joel was living in Olympia, Washington, attending Evergreen State College, and after a visit with him and our black Labrador Noah, I boarded a light plane for a flight from Aberdeen, WA, seated next to the pilot as his only passenger on the trip, soaring past the massive bulk of a mauve Mt. Rainier, then over the border to Vancouver, British Columbia, where I stayed one night in the Skid Row-ish neighborhood near the railroad station. The next morning I boarded a train for several days’ journey across the Canadian Rockies and the vast Laurentian Shield to Toronto, where I met my parents who had driven to meet me there for a few days’ visit.Fort Ticonderoga

In 1978, after attending Franconia College–an experimental institution located in the White Mountains of New Hampshire, less than two hours from Quebec–I began operating Undercover Books in Cleveland with the whole family (Joel, Sylvia, Earl, and sister Pam). We opened just as a new generation of Canadian authors was bursting in to print, and I took an instant liking to Canadian literature. As lead buyer, I figured out how we could order their books despite some trading barriers at the time. For instance, Bantam Books reserved a corner of their order form for an imprint called Seal Books, which I quickly figured out was a terrific source for Can-lit. Penguin also was great for Canadian authors, as can be seen in covers I’m sharing below.  We introduced many Canadian authors to our customers including:  Margaret Atwood, Mordecai Richler, Morley Callahan, Margaret Laurence, Marian Engel, Guy Vanderhaeghe, Morley Torgov, Timothy Findley, Farley Mowat, Pierre Berton, and the CBC broadcaster Patrick Watson, who visited our store to launch his 1979 suspense novel, Alter Ego, and Robertson Davies. In 1980s, we were routinely ordering Davies’ Deptford Trilogy (Fifth BusinessManticoreWorld of Wonders) by the carton, stacking the books up and selling them in great quantities. In my enthusiasm, at one point I wrote Davies a letter c/o of Penguin to let him know and introduce myself and tell him about our stores. He responded from Massey College in Toronto where he was Master, and a pleasant correspondence between us ensued, from which I’m glad I can reproduce his letters to me below.  I recently wrote more about Davies when Canada Post marked the 100th anniversary of his birth with a new stamp. Here are pictures of a bunch of my editions of Canadian paperbacks we sold.

 

Over my seven years in the bookstore, from 1978-85, we introduced thousands of readers to books by Canadian authors. Our customers enjoyed them enormously and never seemed to balk at their Canadian-ness or find their settings off-puttingly unfamiliar. I began to see the literary world of the U.S.’s upper Midwest and Canada’s southern tier (and one might argue, the whole of the Pacific Northwest on both sides of the border) as contiguous literary cultures, different from but not really all that foreign one from the other.

Moving to New York City in 1985 to get started in publishing, I now found Canada’s east coast within driving reach for road trip vacations. On my own, I made three long excursions in my Renault station wagon, relishing the boarding of ferries whenever I could find them for marine passages, visiting Nova Scotia’s Cape Breton Island where I drove the Cabot Trail (which I consider the Big Sur of North America’s east coast), and toured the historic fortress of Louisbourg, the great atlantic port of 1700s Franco-America; Quebec’s Saguenay fjord and the nearby village of Tadoussac, with its grand red-shuttered, white clapboard hotel, and whales close by in the St. Lawrence; and the Gaspe Peninsula, including the monumental Perce Roche, or ‘pierced rock,’ a picture of which has given me the visual touchstone at the top of this blog, and which I wrote about here a few weeks ago. In 1988, after touring Nova Scotia a second time, I ferried from Sydney, on the northeast tip of Cape Breton, across to to the southern coast of Newfoundland, in late fall, during that year’s last week of crossings, before harsh weather would end the crossings for the season.

Driving up the province’s rugged west coast, I spent a weekend in the small city of Corner Brook, lodging in a family-run B&B. My hosts had the surname of Brake and I recall being served and enjoying the same food they were all eating themselves. The family patriarch Mr. Brake had on the Friday just prior been mandatorily retired from the national railway on account of his age, casting a funereal pall over their household. One afternoon he took his fiddle from its case, resined up the bow and began playing some traditional tunes, all the while telling stories of his years working on the railroad. As the only guest in their home, Mr. Brake explained in his distinctive accent that Newfoundland had twice by popular vote declined to join the federal union of Canada, only agreeing the third time, in 1949, when government ministers in Ottawa promised to build a Newfoundland leg of the Trans-Canada Highway, finally traversing the island province’s east-west bulk with a proper road. He added in sadness that for him, joining the federal union also meant that the provincial railway, for which he was already working prior to ’49, had also joined the federal system, decades later leaving him vulnerable to the age limit that had retired him that week at age 68, I recall.

Leaving the Brakes’ home, I ventured further north and camped in Gros Morne National Park, a UNESCO World Heritage site whose massive granite cliff walls tower two and three thousand feet above the Western Brook Pond. I’ve heard people call it the “Yosemite of Canada.” I really wanted to keep heading even farther north, to l’Anse aux Meadows, the place in North America where the Vikings landed, probably in the 1000s, leaving behind structures that were discovered in the 1960s. I imagine l’Anse aux Meadows is an archaeological cousin to Skara Brae, in Scotland’s Orkney Islands, a neolithic settlement from a Pictish or Viking habitation that I had visited earlier in the 1980s. But uneasy about making the last ferry back to the mainland of North America, I hightailed it back down Newfoundland’s west coast, catching a rough ferry ride back to Sydney on the second last day of the season.

In 1993, by then married to my wife, the artist Kyle Gallup, we made an autumn trip to Cape Breton. Near the major francophone ville of Cheticamp–hometown of the great Acadian fiddler Joseph Cormier, with whom my Franconia College pal Karl Petrovich had in the 1970s once played, swapping Cape Breton reels and waltzes. Kyle and I spent a few nights in a hamlet near Cheticamp called Petit Etang in a B&B with a local couple, Marie and Roland Doucet. Major League Baseball’s postseason was underway, and I was surprised to find that the Doucets were ardent baseball fans. I’d hardly expected to see baseball during this vacation, though the Toronto Blue Jays were competing that fall, and interest did extend to Atlantic Canada. The Doucets invited me to sit down and watch a Blue Jays vs. Phillies World Series game with them in their living room. On their mantle I saw what looked like a small shrine to Robert Clemente. When I asked Marie about the Clemente photo and figurine, she explained that he was a hero to them, owing to the humanitarian work he had been doing when he died in a 1972 plane crash, bringing relief supplies to earthquake victims in Nicaragua. Moreover, they’d later had a visiting priest in their parish from the Caribbean, a black man they admired greatly. They extended their positive feeling about Clemente toward other people of color from the Caribbean and baseball. After a few days in the Doucet household, we found a small house to rent in the nearby village of Margaree Harbour. When we left the Doucet home, Marie kindly packed us off with spaghetti sauce and fish chowder, so we “wouldn’t have to cook the first night” in our new abode, she told us.

We found the little house through a lucky visit we made to a local establishment called the Hungry Piper Gift Shop & Tea Room. Stopping in there for a look while we were still lodging at the Doucet’s B&B we met the shop’s proprietors, the May family, a clan with whom we became fast friends. They were John and Stephanie May, a married couple, and their grown son Geoffrey, married to Rebecca Lynne. They sold woolens, tartan ties, postcards, local crafts, and served light fare. We learned from Stephanie that they’d come from Connecticut originally, and that they’d moved north during the Vietnam War, lest Geoffrey be exposed to the military draft. John had held an executive position with an insurer in Hartford, while Stephanie was politically active, working for a nuclear freeze and on the McGovern for President campaign–alongside a young Arkansan named Bill Clinton, who about a year before this vacation of ours had become U.S. President. The Mays’ decision to move was also triggered after Stephanie discovered she’d been on Richard Nixon’s vaunted “enemies list.”

By 1993, the Mays were thoroughly ensconced in Margaree Harbour, running the shop which adjoined a docked schooner where Stephanie entertained many evenings playing piano and singing. On their property was another schooner, which upon close inspection I realized was “The Happy Adventure,” the very boat that Farley Mowat wrote about in his delightful book, The Boat Who Wouldn’t Float. The Mays knew Farley, and somehow had ended up with the broke-down vessel, which proved to be something of a tourist attraction for them. Stephanie and John had one other child, a grown daughter named Elizabeth who was a director of Sierra Club Canada, living in a distant city. She owned a little house in Margaree Harbour, not then in use, and the Mays suggested we could rent it during our stay in the area. Kyle and I took them up on it, and with a spirit of adventure undimmed by the fact the house had little heat and hot water, we loved our time there. I had a portable radio with me, and so got to hear the Blue Jays win the World Series, when Joe Carter hit his walk-off come-from-behind homer in Game 6.

A couple nights later we joined Geoffrey and Rebecca Lynne at their house for dinner. This happened to be the day of a Canadian federal election, and Geoffrey also invited us to stick around and watch election returns with them. It turned out to be an amazing night, as this was the election in which the federal tories were entirely swept out of power in one of the most lopsided defeats ever in the history of modern elections. It was a jubilant evening–for comparison’s sake, imagine all Republican officeholders in the U.S. losing on the same day. Our distant landlord for that week, Elizabeth May, would later became a prominent Canadian politician, chair of Canada’s Green Party, and the first Green Party member of Parliament.

All these great trips made majestic Canadian scenery and warm Canadian people an indelible part of my mental and emotional landscape.

As an editor and publisher, I consciously broadened my efforts to introduce Canadian culture to American readers, bringing out U.S. editions of books by Atwood, Richler, Mowat, Berton, and Lt. General Romeo Dallaire, as well as Paul Quarrington, Antonine Maillet, Ken McGoogan, Julian Sher, William Marsden, Elaine Dewar, Bonnie Buxton, Howard Engel, Joan Barfoot, George Eliot Clarke, Steven Galloway, Joel Hynes, Paul Anderson, Sheila Munro, Jan Lars Jensen, and others.

In 2009 I discovered Canada’s thriving indie music scene, which quickly became a new passion of mine. I found the music instantly likable, enjoying the recorded output of hundreds of talented artists including such acts as Dan Mangan, Rose Cousins, Cuff the Duke, Imaginary Cities, Wintersleep, Chic Gamine, Said the Whale, and Elliott Brood. I became a member of CBC Radio 3‘s informal community, an Internet radio station where I comment regularly on the in-house blog and have become friendly with dozens of fans of this music from all over North America, with the station hosts, and with Canadian musicians, regularly attending their live shows at NYC venues when they come through town. With New Jersey friend Steve Conte, another Radio 3 fan, we created a Twitter hashtag to promote these shows, #R3NYNJ. In 2011 I began attending Toronto’s annual North By Northeast (NXNE) Festival, the last two years for my blogs as accredited press. At NXNE in June 2013, I heard more than 30 bands over four days, posting about the shows here, here, here, and here, and look forward to attending again this year, now writing for two blogs, this one, and my original site, The Great Gray Bridge.

A couple last points about Canada and the USA. I know there are many good musical acts and authors who are not Canadian, and I am under no illusion that Canada is a perfect society, or that its politics aren’t tainted by some of the same anti-democratic impulses as politics in the U.S. Despite my affection and respect, I’m aware that Canada’s story includes many historical injustices and contemporary flaws. And yet, Canada has always struck me as having insanities and obsessions that are a step or two less insane and obsessive than those of my homeland. For that I am grateful, even while not idealizing Canada.

Via Aux TV, Nine Keen Musical Artists Playing ‘Canadiana’ + a Tour of Cameron House

An excellent round-up by AUX TV’s Ivan Raczycki of nine superb acts playing what he dubs “Canadiana.” Includes ‘Play’ buttons for good tunes by each of the artists mentioned, only a few of whom I had known of before: Scarlett Jane, the Devin Cuddy Band, Sam Martin and the Haggard (perhaps a play on the name of longtime country & western player, Merle Haggard?), Al Tuck, Fiver (new project of Simone Schmidt, formerly of alt-country band One Hundred Dollars), Donovan Woods, New Country Rehab, Steve Dawson, and Weather Station. Happy to link to Raczycki’s piece and offer screenshots of it below. I like the work of these musicians. See the story on AUX TV’s site, enjoy the tunes, and the sites of the artists (all linked to above). If you’re not familiar with Toronto’s music scene–often infectiously enjoyable and down-home–I suggest you watch this video with Devin Cuddy, who walks the camera through Cameron House on Queen Street West, a funky old building that combines Cuddy’s home (he lives in the boarding house style accommodations); a couple of bars; two separate performance spaces; and Cuddy’s indie record label, Cameron House Records. I’ve seen several shows at Cameron House during my visits to Toronto for NXNE, and always have a great time there, like when I heard Dear Sister there last June, shown here in a photo with a bit of the Cameron House name behind them. AUX 1 AUX 2 AUX 3

Dear Sister

Sam Roberts Band Launches New Album, “Lo-Fantasy,” at Mercury Lounge

Sam Roberts Band

SATURDAY MORNING TV UPDATE: On Feb 15 the Sam Roberts Band will appear on CBS This Morning as part of their ‘Saturday Sessions’ series. According to press materials, they should go on at 8:45AM.
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Had a blast Tuesday night as the Sam Roberts Band of Montreal blew into town for one night to launch their terrific new album “Lo-Fantasy,” drawing a boisterous crowd to a sold-out Mercury Lounge. It was my first time hearing them live, after years of enjoying their music on CBC Radio 3. They are a tight rock n’ roll machine, starting with a tremendous rhythm section of of bassist James Hall and drummer Josh Trager, who played on a clear see-through kit allowing the audience to peer through the armature and really see him bashing away on the skins. I stood directly in front of Hall and Trager, and for the first half of the show I thought maybe that was why they sounded so good, then I decided, nah, they’re just great players. At center-stage was frontman Roberts, a small guy and a powerful rock n’ roll package–a handsome man and a lithe performer who bursts with vocal energy while striking insistent guitar chords, and moving around a lot on stage. On the far side of him from me were a keyboard player, lead guitarist, and saxophonist. The 6-piece outfit ripped through the 11 songs on the new album. Several I had heard already, like “We’re All In This Together”–with good lyrics expressive to me of a communitarian ethic. There’s an extended video of it below, and the process of making the new album. Once they worked through the new record, they took a bow and left the stage. It was clear though they’d be back for more. When they came back out for encores, they really gave the crowd full value, by playing another four songs, all from earlier albums. The sound was a mix of pure pop propulsion–most songs were uptempo, driven by the bass and drums–with Roberts’ vocals and strong riffs and tasty licks from the other three instrumentalists.

Lo-Fantasy Sam Roberts BandYesterday was Paperbag Records‘ official release date of “Lo-Fantasy.” They put out many of my fave Canadian bands, like Elliott Brood, Cuff the Duke and Rural Alberta Advantage. Sam Roberts is well known beyond Montreal and Canada, with the current tour taking him and his band to many US cities between now and March 28: Chicago; Grand Rapids, MI; St. Paul; San Francisco; San Diego; Seattle; Portland; Boston area; Washington, DC; and Philadelphia, where they’ll be playing World Cafe Live, a show that I’d bet will end up on public radio here in the States.


As good as Sam Roberts Band turned out to be, I also liked the opening act, Heaven’s Jail. I walked in as they started and was glad I had arrived on time. Love when that happens at a live show, walking in on the first notes to a new sound that’s immediately likable. Going to hear live music ought to be as much about discovering new bands as hearing longtime faves. Mercury Lounge did a smart thing booking them as the stage-setter for the evening. Based here in NYC, they’re a basic drums/bass/lead guitar trio, and so offered a clean sonic appetizer that went down real easy. For reference, their sound reminded me in the vocals of Warren Zevon, and in their bright jangling guitar-driven riffs they made think of the Felice Brothers from upstate New York who I heard open for Josh Ritter last year. Heaven’s Jail also have a current album, “Angelmakers,” which you can hear at their bandcamp page. I look forward to hearing them again.

After the Sam Roberts Band left the stage for the last time, a lot of the crowd melted away in to the cold NY night. I had already met some great people during the course of the long evening–like Emily Curran, a NYC schoolteacher who had seen Sam Roberts several times–so I stuck around, eager to meet other folks who’d enjoyed the evening, either from among the audience or the musicians. It being a release party it’s no surprise there were lots of music industry people on hand, like Ben Liemer of music distributor The Orchard who I really enjoyed talking with. Next I recognized two of the three members of Heaven’s Jail, and so chatted with them–Francesco and Ethan, guitarist and drummer. I complimented them on their set and we launched in to a spirited discussion of our rock n’ roll upbringings. I mentioned mine in Cleveland, and the great shows I was able to see in my early days as a live music fan, beginning with a Canned Heat and Cream bill back in the day. These conversations–plus one in a group with Sam Roberts’ brother Tom, who I learned lives in NY, and with his friend Jim, a bass player, capped off a fun night.

Via this link are more pictures from last night’s show, two black & white publicity shots of the Sam Roberts Band, and two videos of them performing.
Cross-posted at The Great Gray Bridge.
 

 

Del Barber, Finding His Songwriting Inspiration from the Land


Del Barber, the Living Room, 2011The few songs I’ve heard from Del Barber’s new album Prairieography–which on the video below he describes as a conscious homage to Ian Tyson’s 1987 album, Cowboyography–all sound great. I heard Barber live in 2011, at the much-missed Living Room venue, when he was included in a showcase put on by ManitobaMusic.com. He’s a tall lefthanded guitar player, and he held the room as a solo artist. The new album has a fuller sound, but still lean and acoustic. As he said on CBC Radio’s “Q” yesterday, he sought out old grain silos and abandoned farm buildings to record in. The songs sounded great live on the radio, but I’m equally eager to hear what they sound like on the album. In Shakey, Jimmy McDonough’s obsessively readable biography of Neil Young, I learned of Neil’s great interest in finding unusual places to record. Barber has the same passion for out of the way sound environments.

Ian TysonIan TysonOf course, Tyson began his career as half of Ian & Sylvia, but after they went their separate ways his career continued to grow. I don’t have “Cowboyography,” but I do own, and treasure his prodigious 19-song collection from 1994, “Old Corrals and Sagebrush & Other Cowboy Culture Classics.” Tyson’s so prolific that none of the songs from “Cowboyography,” two of which were co-written with the legendary Tom Russell, were included in the later anthology. Here’s a 5-minute video of Del Barber talking about the making of “Prairieography”–don’t miss his discussion of the grain silos and their reverb qualities at around the 2:11 mark.

Turnip King and PS I Love You–a Fun Live Show at Pianos


Turnip KIngI had a fun time at the PS I Love You show last night, and also enjoyed hearing Turnip King, a young band from Sea Cliff, Long Island, a 4-piece whose picture I’ll post here with shots from PS I Love You’s set. Guitarist Paul Saulnier later tweeted that he’d been feeling ill, but I didn’t notice during the fun set he played with his drummer bandmate Benjamin Nelson.

I asked the four members of Turnip King how they got their name–thinking that maybe it was an artifact from some LI farming magnate. They told me the phrase was part of an inscription on a historic plaque in their hometown. I like this–an homage to one’s local roots, while also carrying a novel edge. I bet there are interesting stories behind the naming of many bands–after all, it’s part of rock folklore that Jerry Garcia opened an unabridged dictionary and stabbed a finger at the first phrase his eye landed on: Grateful Dead. “Buffalo Springfield” probably derived from the name of a manufacturer of earth-moving equipment. I hope to hear more of Turnip King. This is a link to their bandcamp page with five of their songs. They told me they often play live shows in Brooklyn.

Rural Alberta Advantage, Keeping Live Music Fans Warm on a Cold Night


 

Paul BanwattFun live music show last night with Toronto trio Rural Alberta Advantage in front of a boisterously appreciative full house at the Mercury Lounge on the lower east side of Manhattan. Early on, one of the band members mentioned from the stage that they had last played in NYC about four years ago, and how glad they were to back. Despite that, or even because of it, they sold out an early and a late show last night. I was at the latter set, my first time hearing them, after some years enjoying their music on CBC Radio 3. When I arrived near the end of the opening set by the duo Glasslands, I was glad to see the venue quite crowded already. In this club, with a music room whose walls are clad all in brick and no acoustic buffers installed anywhere, the sound can be brittle and harsh if the room isn’t full of people. On a wintry night with everybody in sweaters and heavy coats, the crowd was the buffer, and the sound was great.

The three members of RAA array themselves across the stage in a level rank–that is, the drummer, Paul, isn’t set up toward the back of the stage, but to the side of his bandmates. The frontman, Nils–a fair, sort of gingery fellow, in a light blue denim shirt and blue jeans, your basic Canadian tuxedo, shown in the tweet I shared from the floor–belts out lyrics in a distinctive vocal and singing style, with lots of shouts and murmurs, more of the former than the latter, all very expressive. He accompanies himself with percussive and propulsive guitar strumming, on an acoustic. He actually broke a string last night, and apparently having no second guitar with him on stage, asked if anyone in the audience could re-string his instrument for him. A confident and competent dude called out from the audience and walked on stage to help out, while Nils moved stepped over to his keyboard for a song. The guitar good samaritan took care of business and finished his task before the next song ended. This little episode made me think of how Neil Young always lauds his longtime guitar tech Larry Cragg, To one side of Nils was raven-haired Amy, on keys, xylophone and backing vocals. Among the musical sounds from her instrumentation, I could tell that she was providing a steady bass thump–since the band doesn’t have a bassist–and she did it really well). Drummer Paul was a fierce warrior on his stool, seated, not behind but to the side of his kit, so that you could really watch him play. It was nice to see a drummer freed from the back row. It’s apt, because he was a big contributor to the band’s sound last night. He happened to be in darkness most of the time, so the only photo of him I got of him happened when he was moving around on stage for a bit. Take my word for it: he’s a seriously great drummer, with a punchy tone to his skins that had the sonic character of an instrument, not beats alone.

RAA has a pleasantly raw, not heavily amplified, sound, reminiscent to me of other Canadian groups I love like Elliott Brood, “death country” trio that features guitar, banjo, and drums; the multi-instrumental duo Sunparlour Players; Cuff the Duke, a 4-piece whose guitar-driven sound ranges from pastoral to edgy and serrated; and ski-bumming, stoke-folk 5-piece Shred Kelly.

Rural Alberta Advantage played for about 75 minutes last night, before coming back for a few encores, capped off by the band’s stroll down from the stage in to the audience, where they stepped up on to a bench against a wall, and led the happy crowd in an acapella finale. Nils announced that following the show they would be hanging out in the bar’s front room for a while and would be eager to meet and say hi. I stuck around and enjoyed introducing myself to and speaking with Paul Banwatt, Amy Cole, and Nils Edenloff. I told them about my blogs and said I looked forward to sharing a report on their show, along with the photos I took during their spirited performance.

Such a fun night of live music. I hope to hear the band again sometime and plan on picking up one or both of their albums down the road. I didn’t buy either last night–being currently without a CD player attached to my Mac–but would love to have their CDs from Paperbag Records, a terrific label that also handles Elliott Brood and Cuff the Duke. Shout-out to Amanda Dameron Pitts of Cobra Camanda who helped me get in to to this sold-out show.
Cross-posted at The Great Gray Bridge.

Forthcoming in March: Album of “Rediscovered” Neil Young Teasures

Announced at the website of Third Man Recordson Exclaim.ca

Third Man Records unearths NEIL YOUNG’s A LETTER HOME

An unheard collection of rediscovered songs from the past recorded on ancient electro-mechanical technology captures and unleashes the essence of something that could have been gone forever. — Homer Grosvenor

And Rolling Stone provides a brief Q&A with Neil himself in which he discusses his fondness for old microphones, his belief that “We’re entering a very good period for recorded sound” and calls the new album, due out in March, “one of the most low tech experiences I’ve ever had.”Neil Young Sonia Recchia:WireImage
Cross-posted at The Great Gray Bridge

Three Cheers for Torquil Campbell of Stars