Enjoying Amity Beach’s “Bonfire Etiquette,” Ontario Pop Band’s New Album

Bonfire EtiquetteGoing to a music festival with dozens of acts on the bill, and getting to hear and see personal favorites–maybe bands you’ve only heard on record, or bands you’re getting to see live for a second time–is a distinct pleasure, but another joy not to be overlooked is making serendipitous discoveries of new bands, new music you’d have never heard and enjoyed otherwise. In 2011, the first year I attended NXNE, that happened when I heard Winnipeg band Imaginary Cities for the first time, with dynamite lead singer Marti Sabit; in 2013, the same thing happened for me with Sudbury, Ontario group Almighty Rhombus, a brother band whose sound I found lots of fun; in 2012 one of my discoveries was Amity Beach, a band from Grand Bend, Ontario whose enthusiasm, energy, and hooky tunes I really enjoyed that June night. This was part of the post I wrote the next morning:

Last night’s musical performances were everything I had hoped they would be. Early in the evening, at 8 PM, I went to hear a set by a little-known band called Amity Beach. They were a young five-piece from Grand Bend, Ontario, 18-year olds who play their own songs and some great covers. Afterward, at the merch table I met the dad of the lead singer, who gave me their EP and told me of the band’s origins and how they’re writing and recording their own music. I enjoyed learning about their process. 

Amity BeachAmity Beach

I’ve enjoyed their EP, especially the opening track, “Jake’s Version of Paradise.” I didn’t like all the songs uniformly, but what was good on the disc was very likable. My first impression of them is affirmed now by their first full-length album. It’s called “Bonfire Etiquette” and it’s terrific. They’re definitely evolving as a band, with a fuller sound and a higher calibre set of compositions. I’m really enjoying the new batch of ten songs (nine original, one cover). I hear a bit of Arkells in their sound now, especially the punchy rhythm section that opens the first track “Sunday Nights to Infinity.” The feel and sound is all their own, though, with uptempo, slightly staccato arrangements. Their vocals, mostly by Geoff Baillie, are also getting better, with him singing his own lyrics about off-balance modern moments mixed with persistent striving. My faves are the opener; “Crown Victoria,” with a sort of car+relationship lyric (it’s not an ode to the automobile make & model that dominates the New York City yellow taxi fleet); “Born in the Daylight,” with female backing vocals, and “Comet Stop,” the album closer, with the rueful line, “All we have in common is we made the same mistakes.” The vocals and guitars guitars are stronger, with added accents from horns they play themselves, and bright keyboard sounds. Amity Beach may have a new hand or two on deck, as I think I see some unfamiliar faces on the photo that goes with their new album. At any rate, they’re continuing to grow, and very impressively here.

Band photoThis is a link to “Born in the Daylight” from their soundcloud.com page. I hope you like it, too. I recommend the whole album, which you can sample at their tumblr. Really gets better the more you listen to it.

#FridayReads, October 25–Grant Lawrence’s “The Lonely End of the Rink: Confessions of a Reluctant Goalie”

Lonely End of the Rink#FridayReads, October 25–Grant Lawrence’s The Lonely End of the Rink: Confessions of a Reluctant Goalie. Very excited to begin reading my copy of the new book by my friend, Canadian broadcaster Grant Lawrence, which just landed in my mailbox this afternoon. The book, which chronicles his uneasy relationship with the Canadian national sport, was officially launched last night with an event in Vancouver, BC. Grant loves to meet with booksellers and readers and is one of the hardest working authors I’ve ever observed. On his website you can find details on the extensive book tour he’s taking, with stops in many Canadian cities between now and December 12.Lonely End back cover

I loved Grant’s first book Adventures in Solitude: What Not to Wear to a Nude Potluck and other Stories from Desolation Sound, a memoir of the many summers he’s spent in the wilds of coastal British Columbia, in the environs of a family cabin on the vividly named Desolation Sound. It went to #1 on the BC Bestseller List, won the BC Book Prize for the 2010 Book of the Year, an award given by booksellers, and was a finalist for the Hilary Weston Writers’ Trust Prize for Non-Fiction. I’m hoping for similar success for his new book, which I will begin reading this weekend.Adventures in SolitudeGrant at Radio 3 picnic
[cross-posted at my other blog The Great Gray Bridge]

NYC Launch of Daniel Canty’s Playful “Wigrum: An Inventory Novel” at Mellow Pages

Zine wallWednesday night at Brooklyn’s Mellow Pages Library and Reading Room francophone novelist from Quebec, Daniel Canty and his translator Oana Avasilichioaei, jointly read from his book, newly published in English, Wigrum, subtitled by publisher Talonbooks of Vancouver BC, An Inventory Novel. Canty and Avasilichioaei were joined by poets Brandon Downing and Michael Ruby.

It was my first time at Mellow Pages, and I found it a very genial place for presentations and literary appreciation. Located in the same loft building on Bogart Street in Bushwick that houses the art gallery Studio 10, very near the Morgan Street ‘L” train subway stop, Mellow Pages is a big square-ish room with a stamped-tin ceiling high overhead, wide windows of the sort with wire mesh threaded through the glass, and two walnut-paneled walls festooned with chapbooks, zines, monographs, and printed material of all kinds. Along the walls, bookcases and shelving combos were arranged, with books on vertical and horizontal axes. The chapbooks and zines, being so thin and hard to shelve, were hung, and in some places fastened to hangers on the walls.

Jacob, co-proprietor of Mellow Pages, kicked things off by describing how the library and reading room works–people can pay to be a member; as well, if you donate 10 books to the library’s inventory, you’re a member. Their tumblr includes this statement: “Mellow Pages is an independently-run library & reading room located in Brooklyn, NY focusing on providing limited-print fiction and poetry to the neighborhoods of Bushwick, East Williamsburg and Bed-Stuy. With a collection of over 1,200 titles and zines, come check out the space and have a coffee, crack into a new one.”

After Jacob finished his set-up, before the readings, Brandon Downing asked me to say something about Talonbooks, and I obliged, mentioning the Vancouver location, their extensive list of contemporary Canadian playwrights; They Called Me Number One, a memoir of surviving the punitive residential school system by Chief of the Soda Creek First Nation band Bev Sellars, #1 bestseller in British Columbia; and translated fiction, with such examples as Wigrum.

Brandon was then the first reader, presenting several multi-part poems from his current collection, coincidentally titled Mellow Actions (Fence Books, 2013). He said that unlike the truly mellow vibe of the library and reading room where we sat, he’d chosen his title a bit sardonically. In fact, several of Downing’s poems expressed honest anger, always a tonic to hear read aloud, with anger so often suppressed in polite company. He was followed by Michael Ruby, who in a nod to the evening’s Pacific Northwest motif, read three longish poems inspired by Seattle’s hometown rock heroes, Jimi Hendrix and Kurt Cobain, from his American Songbook (Ugly Duckling Presse, 2013).

Then Daniel and Oana moved to the front of the room and, trading off, they read alternating sections from Wigrum. I’ve been dipping in to the book all week in advance of the reading and have found it to be an ingenious creative enterprise. The novel is ostensibly the census of an idiosyncratic collection of objects, owned at one time by the elusive figure, Sebastian Wigrum. The printed book itself is beautifully presented with crisp typography and clean design on bright white paper. Precise drawings, each one well printed, depict each of the 149 objects in Wigrum’s mysterious collection. This imaginary world has also produced a novel with marginal notes and an index. Here’s a list of five of the objects catalogued and described herein:

  1. 1) a feather from the wings of Icarus;
  2. 2) Holden Caulfield’s “ear-flap hat”;
  3. 3) a handkerchief that William Faulkner had asked be tucked in his funeral suit, though it never was;
  4. 4) a set o keys called the “Come and Gone Keys”; and
  5. 5) a special egg that P.T. Barnum held in his museum of marvels. As the book reads on page 74, Barnum once had occasion to show it to Benjamin Franklin,: “On tiptoe, [Barnum] led the philosopher to his desk, extracted this egg from a drawer stuffed with banknotes, telling him the daughter of Cristobal Colon slumbered forever within, and that if he brought the egg close to his ear he would hear an endless refrain of all Native American nouns of animals and plants. Barnum dropped the egg while handing it to Franklin, spattering his forick coat. He apologized, profusely, but Franklin obviously thought the business was putting him on again. He makes no mention of the incident in his Autobiography.”  

Their reading was very well received, with everyone enjoying Wigrum‘s humor and philosophical play. Book sales and informal conversation followed. I took a few photographs during the readings and was pleased to see, blinking through the window behind the readers, the lights of the Chrysler Building. Barely a half-hour subway ride from Midtown Manhattan, this view typifies how easy it is to visit Mellow Pages. I’m sure I’ll be coming back for a return visit soon. Click here to see those pictures:

Upcoming NYC Launch of Daniel Canty’s “Wigrum: An Inventory Novel,” a Typographical Treat

WigrumHey Canadians and other NYC friends-I’m going to be at Mellow Pages Library in Brooklyn tonight as local rep for Talonbooks of Vancouver, BC. Details:

Talonbooks invites you to the launch of Wigrum
a novel by Daniel Canty
translated by Oana Avasilichioaei
with illustrations by Estela López Solís
and graphic and editorial design by Daniel Canty and Feed

with guest readers Michael Ruby
American Songbook (Ugly Duckling Press, 2013)
and Brandon Downing
Mellow Actions (Fence Books, 2012)

Brooklyn
October 23, 2013
Doors open at 8:00 PM
Mellow Pages Library
56 Bogart Street
mellowpageslibrary.tumblr.com

Maple Leaf Decorated Pumpkin Pie to Mark Canadian Thanksgiving

Oct 13, 2014—Happy I can re-share this post for Canada Day 2014.

I’m sending out festive greetings to all my Canadian pals who have the good sense to celebrate Thanksgiving this day, instead of Columbus Day, which we’re observing here in the States. I have much personal gratitude for all the talented Canadian bands I’ve heard this past year, during my annual visit to Toronto for NXNE, when I loved hanging at Cameron House, and in NYC, listening to such acts as Ben Rough, Greg Ball, The Strumbellas, Shawn William Clark, Jill Barber; Elliott BROOD, and Elephant Stone; all the bold Canadian authors who’s books I’ve encountered, including Kathryn Kuitenbrower, Gill Deacon, Antonine Maillet, Howard Engel, and Jan Wong; and all the great Canadian friends I’ve met and re-met in Toronto and on CBC Radio 3’s keenly interactive daily blog. Until the next time we bump in to each other, here’s a pumpkin pie decorated with the maple leaf. Hope you’re having a celebratory day, and thanks for visiting Honourary Canadian!
Kyle's Pumpkin Pie


Oct 21, 2013

I rarely photograph food I’m about to eat but the pumpkin pie Kyle made this weekend, dotted with maple leafs made from her delicious and flaky crust, looked too special not to first make a visual record of it. It tasted as good as it looked, best I’ve ever eaten! As a belated observance of Canadian Thanksgiving last Monday, I’m glad I could share my photograph of the pie.

All Hail Alice Munro, 1st* Canadian Nobel Laureate!

 

 

Great news for all readers that Alice Munro was named this morning as the winner of the Nobel Prize in Literature. As the tweets above chronicle, I’ve had a glancing professional acquaintanceship with Munro over the years. She is the first Canadian writer to win the Nobel,* and only the 13th women to receive it, among 110 total laureates. As a reader, I’ve also savored her work. Amid all the excited coverage this morning, I found this great quote in a Canadian Press article spoken by her some time ago:

I want to tell a story, in the old-fashioned way–what happens to somebody–but I want that ‘what happens’ to be delivered with quite a bit of interruption, turnarounds, and strangeness. I want the reader to feel something is astonishing–not the ‘what happens’ but the way everything happens. These long short story fictions do that best, for me.

Here are copies of two editions of Munro’s work from my own library. Munro photoRunawayCastle Rock

*I read a NY Times blog post by Adam Sternbergh later today reminding readers that Saul Bellow–Nobel Laureate in 1976–was born in Montreal, so he might qualify as the first Canadian writer to be awarded the Nobel Prize. And yet, he grew up in Chicago and more strongly identified with the US, and was often described as “the Canadian-born American writer.” Sternbergh concludes, “With Munro, however, there are no…caveats. There is no need for any asterisk.”

Harry’s Sample Post

The Crowd Goes Wild The Crowd Goes Nuts The Crowd Kills the Umpire The Crowd Goes Quiet The Crowd Goes to Sleep

Jonathan Krohn’s Political Evolution & a Couple Welcome Updates